This article is a combination//summary of articles about Dybdahl Pottery, Denmark which I had posted on the previous incarnation of this website.
Further information will be added as I edit and add new information and photographs about the Dybdahl Pottery – much of it from the assistance of kind people who have helped me with over the past years including Belinda, Leif, Andy, Lasse and many more. A small book is eventually planned collating all of the information and photographs which have been gathered together.
Dybdahl Pottery, Denmark is one of the first Danish Potteries that really grabbed my attention. The patterns, decoration and unique nature of the forms and designs captivated me over 15 years ago when I first discovered it, and I continue to find new forms and decorations which I haven’t seen previously.
Briefly, Margrethe Dybdahl (1916-1999) worked together with her husband Palle Dybdahl (1918-2001) in their workshops in North Zealand, in the town of Allerød. Palle was educated as a potter at Holbæk Pottery Factory. He then studied at the Danish Design School where he graduated in 1936. He was also later a teacher at the Danish Design School for a period.
Margrethe was educated at the Rostrup-Boyesen Art School 1934-1936 and the Danish Design School 1936-1937 where she met Palle. Margrethe was never a potter but a very accomplished painter and decorator of pottery. It is probably the quirkiness and unique gentleness of many of her designs which attract me – she was able to communicate such joy and feeling with her painting and design.
Below: My first ever piece of Dybdahl Pottery – a stunning large teapot, beautifully decorated and constructed.
Palle and Margrethe had started up their first workshop together in Hørsholm 1952-1959. They had 2 to 3 apprentices here. They bought their house in Allerød circa 1958 and established a workshop in what was previously a stable next to the house. The house is located in a beautiful area surrounded by woods and was probably the inspiration for many of Margrethe’s nature motifs (insects, bees, spiders, birds, leaf patterns, etc.). They lived and worked here until they died, both at age 83, two years apart.