The delightful scene on this tall vinaigrette bottle form is by Turi Gramstad Oliver, for Figgjo Norway c1970.
It seems to be quite a rare design – depicting various scenes of village life. I have seen variations of it popping up very occasionally online – but I have been unable to find a name for the design – if it has one.
It may have been a design produced for decor pieces rather than a full production dinnerware line.
The line drawing for the design would have been silkscreened onto the clay, and the colours then hand painted to fill in the design.
If you have a piece in this design, or know any more about it I would love to hear from you.
Below, 2 variations of the designs I have found online: Read more
Stavangerflint//Figgjo “Florry” 1960s
This is a design by Nils Aarrestad Siversten(b1920, Stavanger, Norway) called “Florry”. A stoneware (Ildfast) series. From what I can find the design dates to 1960 .
It was designed at Stavangerflint, and you can find some with the Stavangerflint stamp, and others with the Figgjo stamp – which means it was still in production when Figgjo and Stavangerflint merged in 1968.
Nils Siversten also designed for Stavangerflint “Amber”, “Bardu”, “Beito”, and “Karin” designs as well as a very popular series of decorative objects under the name of “Rondane”.
One of the charming features of this design is that the motif is a different colour on each side.
Figgjo Norway, Market
Figgjo Norway, “Market” was designed in 1963 by Turi Gramstad Oliver, straight after she had designed Lotte. Each shape of the Market series features a different scene of characters at food markets dressed in folk style costumes.
The colours are hues of green and yellow on a white ground. It was in production from 1966-1980.
In its era, Market was as popular as the Lotte design, but the most admired design of the two now, 60 years or so later, seems to be Lotte. Both Lotte and Market have a similar look and feel to them with their quirky and delightful characters, costumes and settings.
The design on every form is different, as is the case with Lotte. I haven’t yet come across a complete list of the forms in these series, but I continue to find a shapes that are new to me. Figgjo of this era was exported worldwide in large numbers – and especially to Australia, the U.S. and Canada where designs such as Market and Lotte are still very popular on the secondary market – but now to a whole new generation. Read more