Charles Voltz (1923-1997) moved to Vallauris France in 1950, where he had a studio for many years. His ceramics was in the typical exuberant mid-century Vallauris style with colourful and often highly textured or patterned glazes.
Vallauris is an area in the Cote d’Azur region of south eastern France and has a long history of Artistic and Ceramics traditions, but is was in the 1950s when Vallauris experienced a new golden age after Picasso went to live in and influence the Arts & Crafts of Vallauris in the late 1940s (and where he stayed until 1955)
Picasso, along with Roger Capron were significant contributors to the profile of Ceramics in Vallauris, together other names such as Roger Collet, Gilbert Portanier, Jean Derval and Charles Voltz.
The pottery in Vallauris during this period was created mainly for the tourist market, and to a smaller extent collectors.
I have come across the work of Charles Votlz a few times here in Australia, in the form of dinner sets or coffee sets. It is simply made with terracotta clay and a low fired glazes. The pieces I have had have either been gloss orange or a gloss red. This seems to have been typical of the type of ware that tourists would purchase from Voltz studio, captivated by the intensity of colour and Voltz striking modernist style.
Charle Voltz Vallauris, Coffee Set. Photo Ray Garrod
Charle Voltz Vallauris, Coffee Pot, Originally with Lid. Photo Ray Garrod
Charles Voltz Signature, Photo Ray Garrod
Charles Voltz Vallauris , Sugar Bowl c Lid, Photo Ray Garrod
Stig Lindberg (1916-1982) was one of Sweden’s most important post war designers who created a number of now iconic 20th Century ceramic designs during his time with Gustavsberg Sweden.
One of the most striking I think is the Aster series of dinnerware he designed – which was released in 1972 in both red and blue variations. It was in production until 1974.
The combination of black outlining of the blue (or red) stylised aster forms really intensifies the boldness and attractiveness of the design. Especially with the contrast against the bright white of the porcelain. This use of black outlining to make a pattern “pop” can be seen in other designs by Lindberg such as “Bersa” (Green and Black)
The Aster series quickly became collectors items and was re-released by Gustavsberg in 2008 – but as with all re-releases, a slightly different pattern with updated forms and shapes. You can compare the original and new releases of the Aster design on the brilliant website of Mother Sweden
Stig Lindberg Blue Aster, Gustavsberg
Stig Lindberg Red Aster, Gustavsberg – Image via Lauritz.com
This bold and striking Middle Eastern influenced pattern with its lovely stylised floral elements and gorgeous blues and turquoise is Villeroy & Boch’s “Izmir”. It was produced between 1973-1975.
I have been unable to find who designed the pattern, but the design is on the “Milano” shapes, designed by Ludwig Scherer. This series of elegant, uncomplicated forms were used for a number of designs by Villeroy Boch between the 1960s -1990s including “Scarlett”, “Cadiz”, “Granada” and or course “Acapulco” and more.
Villeroy Boch Izmir
Villeroy Boch Izmir
Villeroy Boch Izmir – Image via Scandiwegians Etsy
Villeroy Boch Izmir – Image via NordicVintageNL Etsy
Interestingly there was a re-iteration of the design which was produced by Villeroy & Boch 1994-2002.