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Posts tagged ‘Stoneware’

Trude Barner Jespersen, Denmark.

Trude Barner Jespersen, Denmark.

Trude Barner Jespersen was born in 1938 and died in 1997, Dianalund, Denmark.

In the 1960s – 1970s she produced a series of designs for Bing & Grondahl. It was a stunning series of contemporary porcelain designs which Im surprised are not more well known.

Equally Im surprised that her talent is not well documented. It happens often with Artists and Potters that some become well known and well documented, and others simply by coincidence, history seems to bypass. In Trude’s case it may also have something to do with passing away at a relatively young age of 59.

There is a black and white photograph of Trude’s series for Bing & Grondahl in the book “New Design in Ceramics” Donald J Willcox, 1970 – a book which focuses on talented Scandinavian ceramicists – but there is no written information about the design or Trude’s work.

From what I can see, Trude’s work as a potter and designer seems to have developed along 2 streams – her contemporary, clean, streamlined porcelain designs for Bing & Grondahl, and her more traditional domestic, wood fired stoneware studio pottery from her workshop in Dianalund in the West of the Island of Zealand, Denmark.

Below is some Biographical information from the Danish Artists Database HERE

Trude started her own workshop/studio in 1962, making her own porcelain clay, and glazing with various ash and salt glazes. She was inspired by trips to the west cost of Greenland in the 1970s and has produced a number of reliefs and other works with with Greenlandic and maritime themes.

Trude Barner Jespersen Works:

  • Porcelain series (1967, Bing and Grøndal, 1975 decorated by Icelandic artist RUNA);
  • Misiqssut at Disko (relief, 1973, Ikast Handelssk.);
  • Baffins Bay (Relief Series, 1974);
  • The displacement of the population of Kutdligssat, Disko (relief, 1985, Nuuk City Hall);
  • Sound insulation collage (1986, ASA-Lift, Dianalund);
  • 2 Greenland Reliefs (1990, Gudrun’s Memorial, Dianalund);
  • Columbus Ship Relief (1992); 6 ship reliever (1993, Colonien Filadelfia, Dianalund 1993).
Trude Barner Jespersen for Bing & Grondahl 1970s

Trude Barner Jespersen for Bing & Grondahl 1970s – Photographer unknown

Trude Barner Jespersen for Bing & Grondahl 1970s

Trude Barner Jespersen for Bing & Grondahl 1970s

Trude Barner Jespersen for Bing & Grondahl 1970s

Trude Barner Jespersen for Bing & Grondahl 1970s

Trude Barner Jespersen for Bing & Grondahl 1970s via DBA Denmark.

Trude Barner Jerspersen Studio Work

Trude Barner Jerspersen Studio Work – Photo via DBA Denmark

Trude Barner Jerspersen Studio Work

Trude Barner Jerspersen Studio Work. Photo via DBA Denmark

 

There are also some charming photographs online of Trude in her workshop in Dianalund on the Danish Archive site Arkiv.dk 

Trude Barner Jespersen, in her Studio, Photographer unknown via Arkiv.dk

Trude Barner Jespersen, in her Studio, Photographer unknown via Arkiv.dk

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Gutte Eriksen – 2 Recent Finds

Gutte Eriksen – 2 Recent Finds

I was very fortunate recently to find not just one, but two pieces of important Danish studio pottery by Gutte Eriksen. (read my previous post on Gutte here)  The pieces were in an auction lot of assorted Danish pottery and I only recognised the first one as by Gutte – until I got them home and cleaned – as all of them were covered in years of dust and soiling. To my surprise there was a second and larger piece by Gutte which revealed itself when cleaned.

The first is a charming urn form with lid and handles standing just over 12cm tall. It has subtle cobalt blue decoration, and the textured ash and borax glaze she has become associated with. The tiny bubbles in the glaze are a characteristic of this glaze and caused by the borax content.

Gutte Eriksen Denmark

Gutte Eriksen Denmark

Gutte Eriksen Denmark

The second piece has a pattern around the shoulder which I have seen previously on pieces by Gutte.

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Tue Poulsen Denmark

Tue Poulsen Denmark

From time to time I come across beautifully formed stoneware forms from Denmark, stamped “TUE” in tiny letters underneath. Tue is the stamp of Tue Poulsen (b1939 -)  a highly accomplished ceramicist and artist who has a permanent gallery and studio in Fårevejle, in the east of Zealand, Denmark.

Tue has a comprehensive website which is so refreshing (and rare it seems!) to find.

The website is jam packed full of wonderful images and information about his work. It is well worth spending some time to read it all.

His sculptural work is astonishing, but equally accomplished are his ceramic vessels – often produced in series. The first image below is of a piece I found recently at an Auction.

Tue Poulson Stoneware Vase

Tue Poulson Stoneware Vase

Tue Poulsen Ceramics

Tue Poulsen Ceramics 1960s-1970s via Tue Poulsen Website

On Tue’s website he also has photographs of early series and works like the one above – which is great to help identify the era pieces were made in.

Tue Poulsen Stoneware Vessel

Tue Poulsen Stoneware Vessel Backstamp

Tue Poulsen Vessel

Tue Poulsen Stoneware Vessel

In addition to his own studio pottery, Poulsen has also designed pieces for Stogo (1963, 1976)), Torben Orskov (1963), lamps for Domus Danica (1970), furniture for Westnova (1973) and ceramics for Knabstrup (1973). Read more

Herluf Gottschalck-Olsen – Den Pemanente

Herluf Gottschalck-Olsen – Den Pemanente

I have been slowly going through the digitised catalogues of Den Permanente, Copenhagen – held by the Danish Royal Library HERE 

In the 1967 Catalogue I was interested to find some works by Herluf Gottschalck Olsen, who’s work is not widely known nor well documented. Read more about him in my previous post here. 

During his relatively brief life he obviously had a profile, and was viewed as an accomplished potter to be able to have work for sale through the juried process of Den Permanente.

It’s good to be able to slowly build up an image library of works of this Danish Potter who could have so easily been lost to history.

Works by Herluf Gottschalck Olsen

Works by Herluf Gottschalck Olsen, Den Permanente Catalogue 1967, Royal Danish Library

 

Herluf Gottschalck Olsen

Works by Herluf Gottschalck Olsen in the Den Permanente Catalogue 1967 – Royal Danish Library – Full Page

I also found another piece by Herluf on the online Danish auction site “DBA” from 2012: Read more

Axella Denmark

Axella Denmark

Axella Denmark pottery has quite a distinctive 1970s look about it, and as far as I have seen appears to be all stoneware (Stentoj)

The pottery began around 1970 in the town of Norresundby (Near Aarhus) Denmark, being founded by Aksel Larsen. It had several name changes during its short operational life starting as Axella Design then around 1978, changing its name to Axella Ceramics and then back to Axella design. It closed in 1987-8. 

Jens Jensen, and Jette Helleroe both worked there for a period – in fact the majority of the work that you will come across from Axella, is work by Jette Helleroe – her stunning series of pendant light shades and lamps for Axella.

Thankfully, it seems that all Axella works as clearly stamped with an impressed stamp, and are often found with a foil label still. The work by Jette Helleroe for Axella is signed by her in addition to being stamped. Many pieces also have a stamped number – which I am guessing is the shape or form number.

Axella Denmark, Tall Form

Axella Denmark, Tall Form

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L. Hjorth Denmark Urn

L Hjorth Denmark Urn

This beautiful handmade stoneware vase is from L. Hjorth, Bornholm, Denmark. I love the colour and texture of the glaze, in addition to the form and level of craftsmanship the piece displays.

The glaze indicates a studio piece from the 1960’s or 1970’s with its blue mottled appearance. It was a glaze which was very popular in this era with many manufacturers and potters.

The urn is stamped only with the L.Hjorth stamp, and does not have the reindeer mark – the lack of which would normally indicate that this was produced pre 1927 – but there are exceptions to this rule, and you can find pieces made in the 1960s and 1970s which have no reindeer stamp.

Looking through the old Hjorth catalogues online however, I think I have found the series this piece was copied from in the 1916 catalogue, the title of which translates as “copies of Bornholm excavations”. Copies from which era I’m not sure, as Bornholm has been occupied since pre-historic times by several races/tribes of peoples. The form of this piece has a very Roman Empire look to it though.

Apparently the original pieces made in 1916 as copies of the Bornholm excavations had little in the way of glaze or decoration either – and were a reddish brown, or natural clay colour.

Whatever the story – A fascinating link to history through a beautifully made piece of early 20th Century pottery. The beauty of Danish pottery never ceases to astound me.

L. Hjorth Denmark Read more

Tuominen Pottery, Adelaide

Tuominen Pottery, Adelaide Australia.

Lauri Tuominen (b1949 -) worked here in South Australia as a potter for about 20 years during the late 1970s into the 1990’s.  I remember his gallery outlet as being very successful commercially and accessible to people who knew nothing about pottery…except for what they liked.

Lauri Tuominen Studio Pottery

Lauri Tuominen Studio Pottery

Practically everyone I know locally has a piece of Tuominen pottery from this period. What wasn’t purchased personally was often given as a gift, wedding present or housewarming gift etc.

Occasionally I have see Tuominen pottery for sale now mistakenly attributed as “Arabia Finland” because of the Finnish designer at Arabia, Kati Tuominen.

Lauri was Finnish born and trained as, then worked as an art teacher here for 4 years before moving full time into being a full time potter. He did some further design study in Scandinavia in his early years as a potter. In his studio he employed 1 apprentice and 1 assistant.

His large variety of domestic stoneware pottery is characterised by dark subdued glazes in earthen colours, as is much of his one-off studio ware. There were other colours produced but these darker tones were the most popular and are the ones most often found these days at auctions, second hand stores, markets etc.

Lauri Tuominen Studio Pottery

Lauri Tuominen Studio Pottery Large Teapot

Lauri Tuominen Studio Pottery

Lauri Tuominen Studio Pottery Blossom Vase

Lauri Tuominen Studio Pottery

Lauri Tuominen Studio Pottery – Small Jug

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Midwinter Stonehenge

Midwinter Stonehenge is one of the standout British designs of the 1970s. The series was created by Eve Midwinter c1972 who had previously worked at the Portmeirion factory. The look of Stonehenge was revolutionary and so much of its time.

The Stonehenge shape is typified by its studio like geometric forms, bold curved handles and the very tactile rounded lids and knobs. The designs and colours in Stonehenge typify the “back to nature” design ethos of 1970s in the same way as does Arabia Finland’s Ruska.

“Creation” was the first design of the Stonehenge series – an light cream coloured gloss base glaze, flecked with iron oxide and rustic iron saturated edges. It became popular instantly, and at the height of its popularity 5 tons of glaze was being used each week to keep up with demand. It was exported world wide – and you will sometimes find different names used for the U.S. market.

The Stonehenge designs of “Sun”, “Moon”, and “Earth” soon followed after “Creation” and all became equally as popular. These designs which were all based on “creation” were in production until 1982, and “Sun” even longer. The pieces could be mixed and matched – adding to their appeal.  A variation of the design “Wild Oats” by Eve Midwinter also became a very high selling pattern. These 5 patterns from the “Creation” series are the ones you now see most often on the secondary market, and are now being discovered by a whole new generation.

The very last pattern of the Stonehenge series was “Nasturtium” (designed by Jessie Tait) with very vivid colours – but was later withdrawn around 1982 because of legislation on cadmium in blazes. Read more