The very impressive decorative pattern on this Midwinter trio is “Kismet”, in production from 1968-1974. The design reflects so well the time in which it was designed – the late 1960s. This was a time of interest in all things Indian, spirituality, batik, psychedelia and The Beatles – amongst other things. It is such a joyful pattern.
The pattern was designed by Joti Bhowmik, who also designed a variation of this design in blue, purple, green and mustard called “Bengal” which was in production from 1968-1970. I haven’t been able to find out any more about Joti Bhowmik unfortunately, and cant find any other patterns them other than Kismet and Bengal.
The forms on which the designs appear are of course the very popular “fine shape” which was designed by the Marquis (David) Queensberry and Roy Midwinter in 1962, and introduced to the market a much stronger and durable ceramic with brighter colours, on a simpler and more modern, functional and streamlined profile.