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Posts from the ‘Danish Studio Potters’ Category

Dybdahl Denmark

This article is a combination//summary of articles about Dybdahl Pottery, Denmark which I had posted on the previous incarnation of this website.

Further information will be added as I edit and add new information and photographs about the Dybdahl Pottery – much of it from the assistance of kind people who have helped me with over the past years including Belinda, Leif, Andy, Lasse and many more. A small book is eventually planned collating all of the information and photographs which have been gathered together.

Dybdahl Pottery, Denmark is one of the first Danish Potteries that really grabbed my attention. The patterns, decoration and unique nature of the forms and designs captivated me over 15 years ago when I first discovered it, and I continue to find new forms and decorations which I haven’t seen previously.

Briefly, Margrethe Dybdahl (1916-1999) worked together with her husband Palle Dybdahl (1918-2001) in their workshops in North Zealand, in the town of Allerød. Palle was educated as a potter at Holbæk Pottery Factory. He then studied at the Danish Design School where he graduated in 1936. He was also later a teacher at the Danish Design School for a period.

Margrethe was educated at the Rostrup-Boyesen Art School 1934-1936 and the Danish Design School 1936-1937 where she met Palle. Margrethe was never a potter but a very accomplished painter and decorator of pottery. It is probably the quirkiness and unique gentleness of many of her designs which attract me – she was able to communicate such joy and feeling with her painting and design.

Below: My first ever piece of Dybdahl Pottery – a stunning large teapot, beautifully decorated and constructed.

Dybdahl Denmark Teapot

Dybdahl Denmark Teapot, Photo Ray Garrod

Palle and Margrethe had started up their first workshop together in Hørsholm 1952-1959. They had 2 to 3 apprentices here. They bought their house in Allerød circa 1958 and established a workshop in what was previously a stable next to the house. The house is located in a beautiful area surrounded by woods and was probably the inspiration for many of Margrethe’s nature motifs (insects, bees, spiders, birds, leaf patterns, etc.). They lived and worked here until they died, both at age 83, two years apart.

Dybdahl cat vase

Dybdahl cat vase, photo Ray Garrod

Dybdahl Milk Jug

Dybdahl Milk Jug – Photo Ray Garrod

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Sejer Keramik Denmark

Sejer Keramik was a small pottery located on the island of Funen Denmark.

They produced some impressive stoneware items in the 1960s -1970s. Other than that not much is known about the pottery at this stage. Their work wasnt that well known until recently, but over the past few years has been popping up on quite a few auction sites and Etsy.

I have had one piece of Sejer previously, the impressive “Brutalist” looking large matt stoneware bowl below.

They also produced some stunning lamps and lighting – 1 design which I’ve seen in person at an auction, and the others pictured below (after the page break)

Sejer Keramik Denmark

Sejer Keramik Denmark

Sejer Keramik Denmark

Sejer Keramik Denmark

Sejer Keramik Denmark

Sejer Keramik Denmark

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Conny Walther

The pot in the first image is a quite large and heavily textured piece of studio pottery by the very well known Danish Ceramicist, Conny Walther (b1931 – d?).

Conny started off at Saxbo Pottery 1948-1949, but left after a year and studied the Arts and Crafts School in Copenhagen 1949-1951 where she graduated as a ceramicist.

She then worked at Kahler Ceramics in Naestved 1951-1952, before opening her own studio in Birkerod, north of Copenhagen with her husband, Artist Bent Stubbe Teglbjerg – who sometimes decorated her works. In her later years she worked as a painter.

Her early work consisted of high fired earthenware, simply decorated with thick glossy glazes, before moving on to high fired stoneware with ash glazes (askeglasurer).

In the 1960s and 70s she experimented freely with stoneware sculptures composed of burned, unglazed, part geometric, part organic shapes of porcelain clay, often which with heavily textured surfaces.

I think the first piece here belongs to a period in the middle somewhere, early 1960s probably. It is high fired stoneware, with what appears to be a clear ash glaze. Her CW cypher is one that is instantly recognisable.

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