The delightful scene on this tall vinaigrette bottle form is by Turi Gramstad Oliver, for Figgjo Norway c1970.
It seems to be quite a rare design – depicting various scenes of village life. I have seen variations of it popping up very occasionally online – but I have been unable to find a name for the design – if it has one.
It may have been a design produced for decor pieces rather than a full production dinnerware line.
The line drawing for the design would have been silkscreened onto the clay, and the colours then hand painted to fill in the design.
If you have a piece in this design, or know any more about it I would love to hear from you.
Below, 2 variations of the designs I have found online: Read more
Figgjo Norway, Market
Figgjo Norway, “Market” was designed in 1963 by Turi Gramstad Oliver, straight after she had designed Lotte. Each shape of the Market series features a different scene of characters at food markets dressed in folk style costumes.
The colours are hues of green and yellow on a white ground. It was in production from 1966-1980.
In its era, Market was as popular as the Lotte design, but the most admired design of the two now, 60 years or so later, seems to be Lotte. Both Lotte and Market have a similar look and feel to them with their quirky and delightful characters, costumes and settings.
The design on every form is different, as is the case with Lotte. I haven’t yet come across a complete list of the forms in these series, but I continue to find a shapes that are new to me. Figgjo of this era was exported worldwide in large numbers – and especially to Australia, the U.S. and Canada where designs such as Market and Lotte are still very popular on the secondary market – but now to a whole new generation. Read more
Figgjo Lotte Norway, A Turi Design
“lotte”, a dinnerware service designed by Turi Gramstad Oliver, is undoubtedly one of the most recognisable and iconic Scandinavian patterns of the mid 20th Century.
It has a charm and popularity that has endured, and remains to this day immensely popular and collectable around the world…and especially here in Australia. It was in production from 1962 right up until 1985.
Turi Gramstad Oliver (b1938 -) started with Figgjo in 1960 and worked with them for over 20 years producing some of their most loved designs. She was trained as a ceramist by Norwegian National Academy of Craft and Art Industry in Oslo 1956-1958, while working in the pottery studio of Kari Nyquist in Bergen until 1960 .
Before graduating she worked at Stavangerflint with Inger Waage. She also had workshop practice in Britain in 1961.
Soon after starting at Figgjo, Turi had designed Lotte, and there was a second release of the design in 1972 – which seems to be when most of the lotte which we come across these days is from.
Figgjo Lotte Teapot
Figgjo Lotte Milk Jugs
Figgjo Lotte Sugar Bowls
Figgjo Lotte Ramekin – Soup
Figgjo Lotte Plate
Figgjo Lotte Egg Cup
Figgjo Lotte Cup & Saucer
Figgjo Lotte Casserole
There isn’t a lot of difference between the look of the 2 series – but in the first series some pieces like the plates and soup bowls had rims or lips rather than a rimless or “coup” shape. The coup main plate is also about 1cm wider.