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Posts tagged ‘Royal Copenhagen’

Gerd Bogelund, Royal Copenhagen

Gerd Bogelund (1923-1987)

Gerd worked at Royal Copenhagen while studying until 1942, then briefly worked at Saxbo before returning to Royal Copenhagen in 1946 as an Artist in Residence for many years. Her work is highly sought after by collectors, but hard to find here in Australia.

I was fortunate enough to find the pieces in the first two images a few years ago, but it is only the second time I have come across the work of this designer in about 10 years.

She is best known for her beautifully and intricately patterned stoneware pieces at Royal Copenhagen, typical of the examples below, but did also design some equally impressive porcelain pieces – often with blue or celadon glazes. Read more

Jorgen Mogensen Denmark

Jorgen Mogensen, Danish Potter (b1927 Denmark)

I believe Jørgen MOGENSEN (b1927–Denmark), is one of the 20th Century’s most important Danish potters and sculptors. I love the sculptural qualities of his work and the way he uses glazes to accentuate the textural quality of his pieces. His pieces are all beautifully formed – and nearly always quite heavy and sculptural.

Mogensen trained at the Art Craftsman School in Copenhagen, and then studied for a period in Paris. He started his professional career as a potters apprentice with Royal Copenhagen in 1949. He worked with iconic figures such as Knud Khyn, Axel Salto, Gerd Bogelund and Nils Thorsson in their “stoneware cellar” where this group worked at Royal Copenhagen.

His first work for Royal Copenhagen were his 1950s pieces of stylised bird motifs with a mottled brownish stoneware glaze – a similar glaze to which the other stoneware artists were using during this period. He rarely used other glazes or colours – but you can sometimes find a design in blues.

The pieces below are all pieces I have owned by Jorgen Mogensen. The first piece I had was the squared vase form, which I was so drawn to it eventually led me to discover a whole world of Danish Mid-Century pottery which  I have been researching, learning and writing about ever since. Read more

Royal Copenhagen Ildpot – Grethe Meyer

Grethe Meyer – Royal Copenhagen Ildpot

The iconic Royal Copenhagen Ildpot series by Grethe Meyer (1918-2008). Series produced from 1976 into the 1980’s.

Grethe was one of Denmark’s most important 20th Century designers, Architect, furniture designer, product designer and more. Although she dedicated herself to a career in architecture, she gained an international reputation for her glassware and ceramic designs. Her high-integrity  designs reflected Meyer’s belief that “one should buy fewer items of better quality”, along similar principles to what has become known as a Scandinavian design aesthetic.

The first time I heard of Grethe Meyer was when I bought two pieces from her “Ildpot” series from Royal Copenhagen in the 1970’s. I was intrigued by their beauty and “brutalist”simplicity.

The Ildpot series was an example of adaptation to a new twentieth century lifestyle: the busy person working outside the home can put the bowl directly from the freezer in the oven, grill or microwave, and let the finished dish simmer while performing other chores. The design was very versatile – the lid could also be used as a plate, or placed onto heat insulating teak plates.

Among Meyer’s other works are superb pieces of furniture, designed together with Børge Mogensen, A glass series “Stub” for Kastrup along with Ibi Trier Morch;  “Blakant” (Blue line), “Fire-Kettle” (Ildpot) and “Hvidpot” (White Pot) for Royal Copenhagen; and the cutlery series “Copenhagen” for Georg Jensen. All of her work has a timeless quality.

From the official Royal Copenhagen site:

Artist and architect in one:

Grethe Meyer is not just an artist, but at least as much of an architect with a very special eye for how functionality can be combined in poetic expression. With these two areas of focus, her solutions are beautiful and eternal elements that form part of our everyday lives.
Grethe Meyer completed her training as an architect at the Academy of Arts in Copenhagen in 1947. She was influenced by the unique functionalism that existed in Denmark from the late 1930s to the late 1950s. She may, in fact, be the prime example of the shared enthusiasm for aesthetic simplicity and perfect craftsmanship that goes by the international style appellation of Danish Design.

With an eye for habit:

Simplicity is characteristic of all Grethe Meyer’s work. But simplicity does not happen by itself. It is the result of detailed observation, experience and analysis of our habits. It is also the foundation for Blue Line from 1965, which was Grethe Meyer’s first big success at Royal Copenhagen. The shapes in Blue Line are precise and timeless, and they have been carried forward into other series such as “4 All Seasons”.

 

Royal Copenhagen Ildpot - Grethe Meyer

Royal Copenhagen Ildpot – Grethe Meyer

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Royal Copenhagen Mid-Century Bird Motif Designs

Royal Copenhagen Mid-Century Bird Designs

Bird designs and motifs were a prominent in the mid 20th century ceramics……and some of the best bird motif designs came from Royal Copenhagen//Aluminia, Denmark during the Nils Thorsson directed Baca and Tenera period of designs in the 1960s.

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