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Posts tagged ‘1970s’

Denby Cotswold

I havent posted a new article to this site in ages, although I have been maintaining and updating posts in the background with new information as I come across it.

This new post I couldn’t resist though – It has always been one of my favourite Denby designs, but until recently hadn’t actually had a piece in real life.

The design is Cotswold and was part of a series designed by Glyn Colledge in 1973 and in production until 1982. The series was “The Country Fayre Collection” and consisted of Sable, Chiltern And Costwold.

Cotswold holloware has the most wonderful hand textured dark brown exterior (which Ive seen described as either “bark” or “avocado skin”) combined with a subtly iron speckled satin gloss warm brown glaze. Inside the hollow ware pieces is a contrasting satin white glaze. The flatware has a freely hand-painted floral spray in light browns and ochres on the satin white glaze.

The pieces such as the cups, jugs etc would have been hand thrown and decorated and the flat pieces jiggered or jollied as was the Denby production process for dinnerware in this era.

As with all Denby from this era, it is stoneware, tough as nails, lasts for decades, and from a time when Denby Pottery (and most other pottery production) was led by good design, and skilled designers.

Denby Cotswold Jug – Design by Glyn Colledge 1973
Denby Cotswold 1970s
Denby Cotswold 1973, Glyn Colledge Designer
Denby Cotswold Trio- Design by Glyn Colledge 1973
Denby Cotswold Jug – Design by Glyn Colledge 1973

NOTE: there is also an earlier and different Denby “Cotswold” designed by Kenneth Clark in 1956 using the shapes of the Gourmet range, with a satin white glaze and bold sgraffito decoration to the underlying clay body. It seems incredibly rare now and I have yet to spot a piece in real life.

Denby Cotswold Vesion 1, Designed by Kenneth Clark 1956 – Image via eBay

Rorstrand “Palett”

Rorstrand “Palett” is an impressive and bold design, which appears to be from the late 1960s or early to mid 1970’s, but sadly its designer is not known. It has elements in the design that many of the designers at Rorstand during this period used.

The design features hand painted bands in warm ochre hues with a blue circle as the centre of the design on most forms. There appear to be some variations on this theme – but at this stage I’m not sure if they are Palett or other named designs so will leave that idea alone for now.

It seems a hard design to find, and there are not a lot of images of it online, and they consist mostly of plates or bowls, but I did manage to find a photo of a cup that was for sale below.

It is also a difficult word to search for also, as even in quotation marks “Palett” changes to other spellings on search engines. If anyone comes across the designer listed in some archive, book or other publication I would love to know.

Rorstand Palett

Rorstand Palett – Photo Ray Garrod

Rorstand Palett

Rorstand Palett – Photo Ray Garrod

Rorstand Palett

Rorstand Palett Backstamp

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Ilja Chapoff – More Works

I was so pleased to hear from readers Alan & Val who were able to provide some more snippets of information about, and some images of pieces they have by Ilja Chapoff.

Ilja was a WWII refugee to Australia, and worked as a potter painter and sculptor in until the 1980s mainly in New South Wales (see my previous post here)

Alan and Val met Ilja when they ran a small art gallery where they sold some of his work. The gallery was next to their printing business in Narwee 1974/1975.

During this period Ilja was living in the Narwee/Riverwood area. They recall him being a quiet and gentle man, who before he migrated to Australia had taught and practised as an artist in Europe (possibly Prague) for many years, but had to flee with nothing when he came to Australia.

They purchased some of his work at that time, and kindly sent me some photographs of it.

You will also see below another example of Ilja’s work sent to me by Sandra Read more