Zeuthen Ceramics
Zeuthen Keramik was founded in 1946 at Gentofte, near Copenhagen, by Normann Zeuthen. It traded under the named Zeuthen Keramik from 1948. The workshop employed around 10-15 people at its peak.
Feb 21
Feb 15
Arabia Finland Kauppatori
A superb recent find. At first glance I thought this was a variation of the iconic “Emilia” series by Raija Uosikkinen, but it turns out to be from a series of designs called “Kauppatori”, in the same drawn style as Emilia but quite different when you look at it more closely.
The design seems to be very rare, and from what I can see only on 2 forms – both deep serving plates.
It is named after the famous Market Square in Helsinki, Finland….one of the most famous tourist attractions in the city.
The design features similar charming characters to those in “Emilia” but the townscape, market characters, the use of green, as well as black line drawing set the design apart.
There is a fantastic Finnish website HERE where a lot of research as gone into the history of “Emilia” and all the designs like this one, related to it. I often refer to it
Arabia Finland Kauppatori
Feb 8
Marianne Starck “Negro” Series, Michael Andersen & Sons (Part 2), Variations
The “Negro Series” sometimes referred to as the “Tribal” series was designed by Marianne Starck in the 1950s for Michael Andersen & Sons on the island of Bornholm, Denmark. You can read more about it in Part 1 HERE.
In addition to the strikingly bold, black and white designs there were some variations with this series. Because there doesn’t seem to be much documentation about this series of designs – It is hard to know sometimes if pieces were designed as part of the Negro series, or simply colour variations added later due to its popularity.
Also you will find that many of the shapes and forms used on the Negro series, were used for other designs coming out of the pottery during these mid-century years.
Henrik in Denmark, who is a passionate collector of the work of Marianne Starck has provided a number of photographs of part of his large and growing collection of Starck’s work for Michael Andersen – and in particular the large number of series which she designed during the 1950s including the “Negro” series.
Henrik has collected many pieces and variations of her designs which are very hard to find, and his collection goes to show us how prolific and original Marianne Starck was as a designer, in addition to being a skilled ceramicist.
Firstly, here are some of the less commonly seen black and white “Negro” series designs: (click on small images to bring up scrolling gallery).
Now some of the variations:
From what I can see the “Negro” variation most often seen, is the one with black and white + red ochre: The use of red ochre as an accent colour on these designs really makes them “pop”.
There is also another group which may or may not have beed designed as part of the original “Negro” series. It often has the same forms and designs often found on the Negro series, but has a black body with turquoise/green glaze. My favourite is the bold design bottom left.
Then there is another design, which also seems to be a variation of the Negro series motifs, featuring a black clay body, with red ochre+chrome green with no white.
