Amongst the seaside themes produced by Meakin were Fisherman's Cove, Polperro, Regatta, Brixham, Clovelly, St. Ives, and Nice. Stylistically they are very similar with use of similar motifs in similar colours. Some of the wares are back-stamped with a colourful stamp and the name of the design, other times just the Alfred Meakin stamp....making it difficult to tell which seaside pattern you have.
The ceramic designs and patterns of Inger Waage (1923-1995) are some of the most recognised of Norway along with those of Turi Gramstad Oliver. They stand out as now iconic mid-century modern and are highly sought after by collectors and lovers of good design around the world.
Inger Waage attended the Norwegian Crafts and Art Industry School in Oslo, studying ceramics between. 1943 – 1946. Following this she worked in her own pottery in Stavanger 1943-1946, and then worked at Stavangerflint from 1953 to 1979 with an extraordinary output of designs.
I don’t come across Inger’s Waage’s work often, but when I do it stands out like a beacon. Recently I found a bowl pictured here from the “Darling” series design by Inger in 1962. The series features either a male motif, female motif or both male/female together, or fruit motif on different pieces. The pattern is a combination of hand-painted and silkscreened design.
Inger Waage Stavangerflint “Darling” Photo Ray GarrodInger Waage Stavangerflint “Darling” Photo Ray Garrod
There is also an excellent youtube video showing a lot of Waage’s one-off and stunning hand painted pieces from Stavangerflint:
Robert Jefferson graduated from the Royal College of Art in 1954, and worked as a lecturer in ceramics at Stoke-on-Trent College of Art before being appointed designer at Poole Pottery in 1958, where he worked until 1966.A now lesser known, and increasingly rare series designed and introduced by Jefferson at Poole in 1964, was the "Bokhara" series.