Gutte Eriksen, Denmark 1918-2008
I have been fortunate to have in my collection 2 pieces by important Danish studio Potter, Gutte Eriksen.
Gutte Eriksen influenced a generation of Danish potters with both her work and teaching. She taught at the Jutland Academy of Fine Arts, Arhus, in 1968-71, 1973-4 and 1976-8.
Her public commissions include fountains in Østre Landsret and Holstebro. In 1972 she won the Gold Medal in Faenza and in 1985 she was awarded the Thorvald Bindesbøll Medal of the Danish Academy of Fine Arts.
In 2000 she was given The Prince Eugen Medal, awarded by the Swedish Royal Family for outstanding artistic achievement. She was honoured with a major retrospective at the Vejen Kunstmuseum in 2001.
Gutte Eriksen was born in 1918 in Rødby on the island of Lolland in Denmark. She studied at the Kunsthåndvaerkskolen in Copenhagen from 1936 to 1939. In 1941 she set up a studio with two other artists in Hareskov, moving to her own studio in Kastrup the following year.
In 1948 she spent two months working with Bernard Leach in St Ives, and later that year she worked in France with Pierre Lion and Vassil Ivanoff. From 1953 she worked in her studio at Karlsminde.
(The information above was sourced from a now non-existent website called “Galerie Beson”)
The influences of Bernard Leach and the Japanese potters can be clearly seen in her work. She visited Japan to work with potters there in 1970 and again in 1973.
Below are the photographs of pieces I have had by Gutte. In photo 2 you might be able to see the handle or “ear”, which is Gutte’s cypher or stamp – the letter “G”which has been mostly covered by the glaze.
Gutte Eriksen Studio Vessel
Ursula Printz Mogensen 1920-1993
Ursula Printz came to Sweden from Germany at the age of 17, and In 1939 became a student of Wilhelm Kage at Gustavsberg.
Due to her outstanding skills and knowledge she became director of the painting department at Gustavsberg in 1942 where she stayed until 1951 when she moved to the Royal Copenhagen factory Denmark. While at Royal Copenhagen she also met her future husband Jorgen Mogensen.
In 1953 she moved to her own studio in the town of Holte in Demark, where Jorgen joins her in c1964-5.
From this studio they both continued to work for many years.
Ursula’s work is characterised by the strong use of pattern and brushwork.
Her work from Gustavsberg is usually signed “UP”, “Printz,” “Ursula”, and occassionally simply a painted yellow snake. At Royal Copenhagen for studio pieces used “Ursula P”, often together with the year. In her own workshop she used most often signed her work simply “Ursula”
Ursula Printz Mogensen, Own Studio, Lamp – Photo Lauritz.com
Ursula Printz Mogensen – Slab Jar, Own Studio
Ursula Printz Mogensen – Slab Bottle
Ursula Printz Mogensen – Studio Signature
Ursula Printz Mogensen, Gustavsberg Jar via freeformsusa.com
The group of images below of Urusla’s work below Swedens National Museum of Art & Design which has a large collection of her work online HERE Read more
Annette From, Denmark
Work by Annette From of Denmark made in the 1970s and 1980s I come across from time to time. As of 2012 she was still working at her studio in Asnæs (a village in the western part of Zealand, DK)….I am not sure if this is still the case.
She was born in 1931 in Ghent, Belgium. Annette exhibited widely in Denmark between the 1960s and 1990s – but surprisingly little of her work is seen on the market these days.
Her training as a potter was completed in 1951 after having been taught by Nathalie Krebs (Saxbo) and others, and she set up her own studio in 1963.
The thrown forms I have seem made by her are from the 1970s and 1980s, and are solid, well made pieces with uncomplicated glazes. These thrown forms are made with have heavily textured clay as I find with quite a lot Danish Studio Pottery.
Her free-form sculptural pieces pictured below are also interesting, especially when grouped together in different ways – creating different interactions and small sculptural vignettes. While there are only 2 in a group below, they dont appear to have been made as “sets” and any number could be arranged in any manner.
If any readers of this site have work by Annette, I would love to see it – contact me via email or post to the facebook page for the website.
Annette From, Denmark, Studio Bowl
Annette From, Denmark, Studio Bowl , Top View