Bjorn Wiinblad Part 3: Own Studio work (Vaerksted).
Number 3 of a 3 part series summarising Wiinblad’s career as a ceramic designer.
I think some of the most impressive work by Wiinblad comes from his work in his own studio, “Værksted” which started in 1952 in Copenhagen. Generally they are “fajance” ware – eathernware pieces with a white base glaze on which a coloured design is hand painted. Wiinblad designed all of the pieces from his studio, and painted many of them himself – but had also help of up to 3 skilled painters to paint his designs onto the forms to keep up with the volume produced.
Bjorn Wiinlbad – Group of Studio Pieces
Wiinblad’s designs from his own “Vaerksted” often featured whimsical characters, sometimes in quite bizarre costumes and headgear – in the forms of lady-head vases, figurines, sculptures, candlesticks, and jars. Read more
Bjorn Wiinblad at Nymolle.
Part 1 of a 3 part series of articles on 20th Century superstar designer, Bjorn Wiinblad (1918-2006)
Bjorn Wiinblad was a Danish painter, designer and ceramicist who worked in a wide variety of media including painting, set design, fabric design, and illustration. To most of us however he is known as one of the superstar ceramic designers of the 20th Century.
What attracts me to his work is Wiinblad’s skilful use of expressive line and colour, combined with the whimsical nature of his work which always makes you smile. Wiinblad’s work is unlike any other. His style of expression is highly personal, and has a touch of the oriental and exotic about it. It is hard to think of another illustrator or ceramic designer who comes close to Wiinblad in either quality, originality or output.
Early in his career Wiinblad worked mainly in graphics and illustration, but the turning point came when he got the opportunity to work more on his own ceramics in the studio of ceramicist Lars Syberg in Tastrup near Copenhagen. He held his first public exhibition in 1945 – the exhibition was quite a mixed bag of ceramics, portraits, and children’s books – including a complete illustrated edition of “Aladdin”. This exhibition proved to be the jumping point for his career, as through it he became known to Jacob Bang who had just been promoted to the position of Art Director of Nymolle Pottery, and eventuated with Wiinblad starting work with Nymolle in 1946.
WIINBLAD at NYMOLLE
At Nymolle Wiinblad produced exquisite and highly detailed pen and ink drawings which were printed onto a wide range of pottery items – usually in just one colour – with Black, Red and Blue being the most commonly used.