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Ursula Printz Mogensen

Ursula Printz Mogensen 1920-1993

Ursula Printz came to Sweden from Germany at the age of 17, and In 1939 became a student of Wilhelm Kage at Gustavsberg.

Due to her outstanding skills and knowledge she became director of the painting department at Gustavsberg in 1942 where she stayed until 1951 when she moved to the Royal Copenhagen factory Denmark.  While at Royal Copenhagen she also met her future husband Jorgen Mogensen.

In 1953 she moved to her own studio in the town of Holte in Demark, where Jorgen joins her in c1964-5.

From this studio they both continued to work for many years.

Ursula’s work is characterised by the strong use of pattern and brushwork.

Her work from Gustavsberg is usually signed “UP”, “Printz,” “Ursula”, and occassionally simply a painted yellow snake.  At Royal Copenhagen for studio pieces used “Ursula P”, often together with the year. In her own workshop she used most often signed her work simply “Ursula”

Ursula Printz Mogensen, Own Studio, Lamp
Ursula Printz Mogensen, Own Studio, Lamp – Photo Lauritz.com
Ursula Printz Mogensen - Slab Jar
Ursula Printz Mogensen – Slab Jar, Own Studio
Ursula Printz Mogensen - Slab Bottle
Ursula Printz Mogensen – Slab Bottle
Ursula Printz Mogensen - Studio Signature
Ursula Printz Mogensen – Studio Signature
Ursula Printz Mogensen, Gustavsberg Jar
Ursula Printz Mogensen, Gustavsberg Jar via freeformsusa.com

The group of  images below of Urusla’s work below Swedens National Museum of Art & Design which has a large collection of her work online  HERE

Gustavsberg Bowl, decor Ursula Printz
Gustavsberg Bowl, decor Ursula Printz -Swedish National Museum of Art & Design
Gustavsberg Jar, decor Ursula Printz
Gustavsberg Jar, decor Ursula Printz -Swedish National Museum of Art & Design
Gustavsberg Plate, decor Ursula Printz
Gustavsberg Plate, decor Ursula Printz -Swedish National Museum of Art & Design
Gustavsberg Plate, decor Ursula Printz
Gustavsberg Plate, decor Ursula Printz -Swedish National Museum of Art & Design
Gustavsberg Pitcher, decor Ursula Printz
Gustavsberg Pitcher, decor Ursula Printz -Swedish National Museum of Art & Design

Royal Copenhagen Aluminia Oranjga//Tureby Design

Aluminia Royal Copenhagen, Tureby or Oranja Design

Oranja or Tureby, designed for Aluminia/Royal Copenhagen by Nils Thorsson in 1934. (It is also known as pattern 254).

The base colour is probably best described as an off-white with greyish tones, and it has an exquisitely detailed basket weave design around the rims in an orange-red colour, finished off with gold. Such a great colour combination.

Below are some of the pieces in this design I have had.  The candlesticks are the standout – very festive, with their alternating orange white and gold stripes.

All the shapes have a lovely soft and rounded form to them – particularly noticeable with the cups.

Aluminia Royal Copenhagen Tureby Cup, Saucer, Plate

Aluminia Royal Copenhagen Tureby Cup, Saucer, Plate

Aluminia Royal Copenhagen Tureby Serving Tureen

Aluminia Royal Copenhagen Tureby Serving Tureen

Aluminia Royal Copenhagen Tureby Main Plate

Aluminia Royal Copenhagen Tureby Main Plate

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Denby Glynbourne

Denby Glynbourne

Glynbourne Ware (not to be confused with Glyndebourne ware which is a different design) was designed by Glyn Colledge in 1960. It was marketed as a prestige product and sold until about the 1970’s when the exotic designs of Gill Pemberton and David Yorath were more favoured.

Glynbourne continues the long Denby tradition of traditional high quality stoneware, hand thrown and hand decorated.

Production Studio Pottery at its best. Each piece was handpainted in natural tones of browns and greens with a simplified decorative pattern of leaves….the glaze is just wonderful to the touch.

It has continued to be a very collectable range to the present day.

Denby Glynbourne

Denby Glynbourne Planter

Denby Glynbourne

Denby Glynbourne

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