Every piece I come across from this series is so beautifully elegant and well proportioned – a fantastic example of 1960s modernism and industrial design at its best.
The pattern for “Sienna” was designed by British design icon Jessie Tait for the Fine Range (1962-1978). It was one of the top selling designs from this series.
The forms for the Fine Range were designed and developed by the Marquis of Queensberry in collaboration with Roy Midwinter. As well as considering the forms, an improved white clay body was developed, along with a new tougher glaze. The shapes were loosely based on a milk churn – and the straight sides were the perfect vehicle for a wide range of patterns – over 60 designs were created for this series.
Every aspect of this design has been carefully considered, from the shapes to elements such as the lid which shaped in quite a complex manner underneath so it will not fall out when being poured. This considered, quality design you rarely come across these days.
Along with Sienna, another of my personal favourites from the Fine series is “Mexicana”, again by Jessie Tait – this was the only hand painted pattern in the series – but this also proved so popular the pattern was later applied as a transfer.