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Posts tagged ‘Gospel Plates’

Bjorn Wiinblad Christmas Plates

There are three different series of Bjørn Wiinblad Christmas plates, all produced by Rosenthal. The series described here are the porcelain Christmas Gospel plates from 1971-82.

At the same time, a series of glass plates in bluish colors with similar motifs was released. From 1983 to 1994 a series of Christmas carol illustrations also ran. All three series each lasted twelve years – twelve seems to have been a sort of magic number for Wiinblad plates.

The Christmas Gospel plates are held in strong colors and gold, and are quite oriental in their look. The prices for them differ a lot on eBay and other net auctions. But they have maintained a reasonable price range over the years, unlike the classic Danish blue Christmas plates from this period, which have decreased tremendously.

The first plate from 1971 is much rarer than the following, so it normally costs about four times as much as the later plates. The plates from 1972-74 are also quite rare and mostly cost twice as much as the plates from the mid-seventies. And finally, the last three plates from the eighties are slightly more expensive than the previous. So, my collection is from 1974 to 1982 minus the -81 plate, which I still hope to find for reasonable money.

Bjorn Wiinblad/Rosenthal - Christmas 1971

Bjorn Wiinblad/Rosenthal – Christmas Gospel Plate 1971

Bjorn Wiinblad/Rosenthal - Christmas Gospel Plate 1972

Bjorn Wiinblad/Rosenthal – Christmas Gospel Plate 1972

Bjorn Wiinblad/Rosenthal - Christmas Gospel Plate 1973

Bjorn Wiinblad/Rosenthal – Christmas Gospel Plate 1973

Bjorn Wiinblad/Rosenthal - Christmas Gospel Plate 1974

Bjorn Wiinblad/Rosenthal – Christmas Gospel Plate 1974

All the plates are labeled “Weihnachtsteller” on the back, and below that they have a German text telling what they depict. The sequence of the scenes is a bit random, which is rather disappointing when you think of the perfectly disposed story on Wiinblad’s old Nymølle month plates.

It has puzzled me why Wiinblad has chosen these particular motives and sequences. First we have Mary with child and the Epiphany on four different plates – almost a separate series before the others. Then we have the Annunciation – which is how it all started as far as I know. Read more

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