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Fratelli Fanciullacci Freize Vase

This striking FF vase c1950s came into my hands recently. The piece features a band around the pot of stylised reclining nudes, in the style of ancient Roman friezes.

With each piece of pottery in this design the frieze was hand carved, making each piece different and unique. Other examples of this FF design can be seen in Mark Hill’s book “Alla Moda” on p118.

The frieze has been overpainted with a clear glaze, showing the natural flesh clay colour underneath.

The remainder of the surface is a cream coloured glaze with tightly incised sgraffito lines. Inside is a clear glaze on the naturally flesh coloured clay. It is about 25cm tall.

Fratelli Fanciullacci c1950s

Fratelli Fanciullacci c1950s

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Midwinter Queensberry

Midwinter “Queensberry” was the first a series of very popular striped patterns introduced by Midwinter (and many other manufacturers) in the early 1960s. It was in production 1962-1978 on the “Fine” Shape.

As suggested by the name, the pattern was designed by the Marquis (David) Queensberry – who also designed the forms of this series along with Roy Midwinter.

The design of Queensberry had smaller rims than other designs in this series, but was otherwise the same. Features of the Fine Shape series included stackable items and dual function pieces on straight sided forms.

The design consists of stripes of varying widths in olive, yellow ochre, grey and black.

The design reminds me of lines drawn with oil pastels or crayon – and works so well on these “Fine Series” forms. Although a transfer printed design, it has the appearance of being hand painted.

Midwinter Queensberry
Midwinter Queensberry
Midwinter Queensberry
Midwinter Queensberry
Midwinter Queensberry
Midwinter Queensberry
Midwinter Queensberry
Midwinter Queensberry – Image from LeelalandDesigns Etsy

Wartsila – Arabia Finland, Finel Enamel Ware

Wärtsilä (The owning company of Arabia Finland at the time) produced domestic enamel metal items starting in the early 1950s after their earlier takeover of company Kone-ja Siltarakennus in 1938. By by the 1950s the popularity of their enamel ware meant they were producing over 500,000 items per year.

In the early 1960s Wärtsilä rebranded their enamel ware division as Finel, and form designer Kaj Franck along with several of the Arabia pattern designers took their enamel ware in a new and very popular direction. The enamel ware out of Finel/Arabia from this era is now highly collectable and valued, by lovers of Scandinavian 20th Century Design.

Raija Uosikkinen and Esteri Tomula were two of these Wartsila/Arabia/Finel designers.

Recently I came across this stunning large enamel ware bowl with the “Knights” (Fi: Ritari) pattern by Raija Uosikkinen

Finel "Knights" Raija Uosikkinen

Finel “Knights” Raija Uosikkinen

 

Because this ware was enamel on steel, it is now hard to find a piece without some level of chipping or wear to the enamel – but on bowls like the one above I think this light wear just adds to the charm of the design.

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