This very attractive pattern is Midwinter “Roselle”, and was produced just before the revolutionary “Stonehenge” series was introduced at Midwinter.
Contrary to what you will read elsewhere, this pattern was designed by Eve Midwinter in 1968 – Not by Jessie Tait. The design is on the popular “Fine Shape” series of forms.
Along with Spanish Garden (by Jessie Tait) Roselle was one of Midwinter’s best selling designs before the introduction of Stonehenge in 1972. It seems to be rarely found here in Australia, but is quite easy to get hold of in the UK.
The delicate border repeat pattern in blues and greens has alternating upright and inverted floral motifs on a bright white background.
The lids and saucers of the design are in a colour somewhere between Royal Blue and Cerulean Blue.
What a charming design. This is “Whispering Grass”, by Jessie Tait for Midwinter in 1960.
It is a transfer printed design of the flowering whispering grass, hand coloured in lilac and yellow. As with all of Jessie Tait’s designs – beautifully drafted, detailed, and balanced – as well as sitting so well on the forms.
The hollow ware of all the series is in this very soft but vibrant lilac on the outside – a colour you rarely see on dinnerware. Whispering Grass seems to be quite a rare design, and hard to find now.
For the export market the lilac on the hollow ware was replaced with black instead – but I haven’t been able to locate any images of this variation.
Midwinter Berkeley is a design by Jessie Tait for Midwinter, produced 1969-1974. It is quite a rare design these days. The pattern was produced on the “Fine Shape” Series which Midwinter started in 1962.
The design consists of a band of squares in alternating olive and turquoise, with an alternating centre colour.
The design to me reflects the influence of colour theorist Joseph Albers....who’s work significantly influenced 20th Century Art & Design – including “Op Art” popular in art, design and culture at the time – and especially big in Britain and Germany.